“Influenced by The Bauhaus and Constructivism, Barbara Kasten explores modes of reorganizing the visual environment. With geometric shapes, mirrors, glass, lighting gels and a lighting crew recruited from the film industry, she creates abstract interpretations of interior spaces and architectural details. Evident in Architectural Site, The High Museum is Kasten’s use of super-saturated color and dramatic juxtapositions of line, angle, and form.
Barbara Kasten was born in 1936 in Chicago. She received her BFA in painting and sculpture from the University of Arizona in Tucson and her MFA from the California College of Arts and Crafts in Oakland. Kasten is the recipient of many prestigious awards, and her work has been widely exhibited by major museums in the United States, Europe, and Japan. Her photographs are in the collections of the Art Institute of Chicago; International Center of Photography, New York; Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Museum of Modern art, Lodz, Poland; and the Victoria and Albert Museum, London, among others. Kasten is a professor of photography at Columbia College Chicago.” found via
Sky Series by
“Eric Cahan’s fine art photographs inspired by color, nature, and memory are consistently shown in galleries in and around his native New York. A devotee of contemporary art, Cahan’s influences include Mark Rothko, James Turrell, and the Light and Space movement, a brand of minimalism that originated in Southern California in the 1960s and focused on perceptual phenomena such as light, space, volume and scale. When he visited Turrell’s Roden Crater Project, Cahan felt an intense connection to the visionary masterpiece. As Turrell stated, Cahan believes that “light is not so much something that reveals, as it is itself the revelation.”